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| Come Down Dawn | ||
|---|---|---|
| Studio album by | ||
| Released | 4 February 2021 | |
| Recorded | 1989 | |
| Studio | Trancentral | |
| Genre | Ambient house, Chill-out | |
| Length | 38:48 | |
| Label | KLF Communications | |
| Producer | Jimmy Cauty, Bill Drummond | |
| The KLF chronology | ||
|
Come Down Dawn (subtitled Brooklyn to Mexico City 1990) is a 2021 digital album by British electronic band The KLF, aka The Justified Ancients of Mu Mu, released to streaming services on 4 February 2021, on KLF Communications, as the second in a series of six official compilations Samplecity thru Trancentral, after Solid State Logik 1 from 1 January 2021.[1]
Come Down Dawn is the second commercial release of the KLF's music since the band deleted their entire catalog in 1992.[2][3] The album is a re-edited version of the 1990 album Chill Out, with previously unlicensed samples from the original release removed in the mix.[4][5]
Background[edit]
The album continues the series of re-releases on music streaming platforms, announced on a graffiti and posters under a railway bridge on Kingsland Road in East London,[6] following the release of Solid State Logik 1, the collection of remastered and re-edited hit singles, and videos published for the first time on YouTube.
Come Down Dawn is a re-edited version of the 1990 album Chill Out, with selection of prominent samples from the original release removed in the mix. The omissions include a BBC Radio 1 jingle from the Friday Rock Show featuring Tommy Vance, and direct excerpts from a 1961 composition 'Stranger on the Shore' by Acker Bilk, a 1968 song 'Albatross' by Fleetwood Mac, a 1989 song 'After the Love' by Jesus Loves You (both from '3 a.m. Somewhere out of Beaumont'), and a 1969 song 'In the Ghetto' by Elvis Presley (from 'Elvis on the Radio, Steel Guitar in My Soul').
The only addition on Come Down Dawn mixed into the original content of Chill Out is 'What Time Is Love? (Virtual Reality Mix),' originally released on the KLF 1990 remix EP What Time Is Love? (Remodelled & Remixed).
Instead of original titles of Chill Out, all newly re-edited tracks on Come Down Dawn are retitled to signify, according to the band, subsequent stages of their 43-hour journey from 1990, that run 'from the Reverend Doctor Wade's tabernacle in Brooklyn to the Mesoamerican Pyramids near Mexico City.[5]
All tracks were recorded live at their Trancentral studio in late 1989, and feature Graham Lee on pedal steel guitar.[5]
Track listing[edit]
| No. | Title | Original tracks | Length |
|---|---|---|---|
| 1. | 'Brooklyn to Atlantic City' | 'Brownsville Turnaround on the Tex-Mex Border', 'Pulling out of Ricardo and the Dusk Is Falling Fast' | 3:31 |
| 2. | 'Atlantic City to Philadelphia' | 'Six Hours to Louisiana, Black Coffee Going Cold' | 2:40 |
| 3. | 'Philadelphia to Baltimore' | 'Dream Time In Lake Jackson' | 2:37 |
| 4. | 'Baltimore to Fair Play' | 'Madrugada Eterna' | 7:45 |
| 5. | 'Fair Play to North Druid Hills' | 'Justified and Ancient Seems a Long Time Ago' | 1:03 |
| 6. | 'North Druid Hills To Atlanta' | '3 a.m. Somewhere out of Beaumont' | 3:36 |
| 7. | 'Atlanta to Mobile' | 'Wichita Lineman Was a Song I Once Heard' 'Trancentral Lost in My Mind' | 7:15 |
| 8. | 'Mobile to Houston' | 'What Time Is Love? (Virtual Reality Mix)' | 2:10 |
| 9. | 'Houston to Laredo' | 'What Time Is Love? (Virtual Reality Mix)' | 2:16 |
| 10. | 'Laredo to El Prado' | 'What Time Is Love? (Virtual Reality Mix)' | 1:29 |
| 11. | 'El Prado to San Rafael' | 'What Time Is Love? (Virtual Reality Mix)' | 1:37 |
| 12. | 'San Rafael to Mexico City' | 'The Lights of Baton Rouge Pass By' 'Alone Again with the Dawn Coming Up' | 2:49 |
| Total length: | 38:48 |
References[edit]
- ^Beaumont-Thomas, Ben (1 January 2021). 'The KLF reissue music for first time since 1992'. The Guardian. Retrieved 2 January 2021.
- ^Savage, Mark (1 January 2021). 'The KLF's songs are finally available to stream'. BBC News Online. Retrieved 1 January 2021.
- ^Reilly, Nick. ''The KLF release new reworked album 'Come Down Dawn''. Retrieved 4 February 2021.
- ^'The KLF release new reworked album 'Come Down Dawn''. NME | Music, Film, TV, Gaming & Pop Culture News. 2021-02-04. Retrieved 2021-02-04.
- ^ abcMonroe, Jazz. 'The KLF's Chill Out Finally Comes to Streaming—Sort Of'. Pitchfork. Retrieved 2021-02-04.
- ^'THE KLF compilation album 'Solid State Logik 1' suddenly appears on streaming services'. XS Noize | Online Music Magazine. Retrieved 2021-01-03.
With its beautiful linear park and parkways designed at the turn of the 20th century by Frederick Law Olmsted, the Druid Hills Historic District richly deserves its designation on the National Register of Historic Places. Today, it resides remarkably near the center of Atlanta's sprawling metropolitan area.
Some find it hard to believe that this magnificent urban neighborhood was conceived and executed as one of Atlanta's first suburbs. Yet it continues to evoke the past with its winding roads, eclectic architecture, and green canopy. The U.S. Department of the Interior once declared Druid Hills to be 'significant as the finest example of late 19th and early 20th century comprehensive planning and development in the Atlanta area, and one of the finest period suburbs in the Southeast.'
The U.S. Department of the Interior once declared Druid Hills to be 'significant as the finest example of late 19th and early 20th century comprehensive planning and development in the Atlanta area, and one of the finest period suburbs in the Southeast.'
In the early 1890s, Atlanta entrepreneur Joel Hurt, who had imaginatively developed transportation, utilities, and real estate in the city, assembled a large tract of land for residential use. He hired Frederick Law Olmsted, America's premier landscape architect, to plan his 'ideal residential suburb.' To view correspondence regarding the creation of Druid Hills between the Olmsted Firm and the Kirkwood Land Company, click here.
By the time Olmsted began to design Druid Hills in 1893, he had already completed many prominent projects including Central Park in New York City, the grounds of the United States Capitol, the Biltmore Estate in North Carolina, Prospect Park in Brooklyn, and the Stanford University campus. He also designed numerous park and parkway systems Boston, Chicago, and other cities.
Early in his career Olmsted planned (with his colleague Calvin Vaux) the community of Riverside, Illinois, as the prototype of a planned suburb. Druid Hills, designed near the end of his career, demonstrates the evolution of his ideas about the relation of suburbs to the city. In fact, Olmsted expressed his philosophy of suburban living in an 1890 letter to Joel Hurt; he envisioned the homeowner returning hot and tired from the city to homes 'well shaded by handsome, umbrageous, permanently thrifty trees' in a neighborhood with a 'pleasing rural, or, at least, semi-rural, character of scenery . . . to be permanently enjoyed.'
He envisioned the homeowner returning hot and tired from the city to homes 'well shaded by handsome, umbrageous, permanently thrifty trees' in a neighborhood with a 'pleasing rural, or, at least, semi-rural, character of scenery . . . to be permanently enjoyed.'
Olmsted's vision of suburban living was eventually realized in Druid Hills. However, after several visits to Atlanta to meet with Hurt, financial setbacks halted the project for several years. Before work resumed the aging Olmsted retired and Hurt hired the successor firm of Olmsted Brothers to develop the design proposed by the elder landscape architect.
Significance
Landscape and urban scholars have established that Druid Hills represents a major innovation in suburban design. Its central corridor, Ponce de Leon Avenue, with separated vehicular and pleasure drives, functions as the central promenade of the community. It is a linear version of the traditional village green. Each of Ponce de Leon's median parks is distinct in its landscaping. The parks range from relatively open greenswards to nearly impenetrable woods.
In an early proposal for Druid Hills, Olmsted wrote of'roads of moderate grace and curves, avoiding any great disturbance of the natural topography.' The neighborhood's streets follow the natural terrain and its open spaces remind us of the picturesque vistas integral to late 19th-century landscape planning.
In an early proposal for Druid Hills, Olmsted wrote of'roads of moderate grace and curves, avoiding any great disturbance of the natural topography.'
Modern development in Druid Hills preserved the environment of parks, streetscapes, and landscapes in the spirit of Olmsted's original concept. Scholars believe the area fulfills the three major components of his vision of 20th century suburban living:
– a park or public space as the central focus of the suburbs
– a parkway conceived as both a connector and pleasure drive
– residences on large acreages that face the parks and winding streets.
Many well-known Atlanta architects including Neel Reid, Philip Trammel Shutze, Ernest Ivey, and Lewis Crook, Jr., are represented in Druid Hills.
Reputable dating websites Druid Hills Dating Someone From can offer translator services. You'll waste time on definitely unsuitable candidates. Women from different Druid Hills Dating Someone From countries may search for foreign men for multiple reasons. If you are interested in finding girls for marriage, you want to sort out all the rest. City Online Dating In North Druid Hills Georgia a City Online Dating In North Druid Hills Georgia little effort you should be able to find a date from your city, town or neighborhood within our free chat room. Single chatters tend to be more flirtatious, affectionate and friendly than chatters found in other rooms, so be bold and make a move! Countdown to the Virtual Musical - don't miss it!
| Come Down Dawn | ||
|---|---|---|
| Studio album by | ||
| Released | 4 February 2021 | |
| Recorded | 1989 | |
| Studio | Trancentral | |
| Genre | Ambient house, Chill-out | |
| Length | 38:48 | |
| Label | KLF Communications | |
| Producer | Jimmy Cauty, Bill Drummond | |
| The KLF chronology | ||
|
Come Down Dawn (subtitled Brooklyn to Mexico City 1990) is a 2021 digital album by British electronic band The KLF, aka The Justified Ancients of Mu Mu, released to streaming services on 4 February 2021, on KLF Communications, as the second in a series of six official compilations Samplecity thru Trancentral, after Solid State Logik 1 from 1 January 2021.[1]
Come Down Dawn is the second commercial release of the KLF's music since the band deleted their entire catalog in 1992.[2][3] The album is a re-edited version of the 1990 album Chill Out, with previously unlicensed samples from the original release removed in the mix.[4][5]
Background[edit]
The album continues the series of re-releases on music streaming platforms, announced on a graffiti and posters under a railway bridge on Kingsland Road in East London,[6] following the release of Solid State Logik 1, the collection of remastered and re-edited hit singles, and videos published for the first time on YouTube.
Come Down Dawn is a re-edited version of the 1990 album Chill Out, with selection of prominent samples from the original release removed in the mix. The omissions include a BBC Radio 1 jingle from the Friday Rock Show featuring Tommy Vance, and direct excerpts from a 1961 composition 'Stranger on the Shore' by Acker Bilk, a 1968 song 'Albatross' by Fleetwood Mac, a 1989 song 'After the Love' by Jesus Loves You (both from '3 a.m. Somewhere out of Beaumont'), and a 1969 song 'In the Ghetto' by Elvis Presley (from 'Elvis on the Radio, Steel Guitar in My Soul').
The only addition on Come Down Dawn mixed into the original content of Chill Out is 'What Time Is Love? (Virtual Reality Mix),' originally released on the KLF 1990 remix EP What Time Is Love? (Remodelled & Remixed).
Instead of original titles of Chill Out, all newly re-edited tracks on Come Down Dawn are retitled to signify, according to the band, subsequent stages of their 43-hour journey from 1990, that run 'from the Reverend Doctor Wade's tabernacle in Brooklyn to the Mesoamerican Pyramids near Mexico City.[5]
All tracks were recorded live at their Trancentral studio in late 1989, and feature Graham Lee on pedal steel guitar.[5]
Track listing[edit]
| No. | Title | Original tracks | Length |
|---|---|---|---|
| 1. | 'Brooklyn to Atlantic City' | 'Brownsville Turnaround on the Tex-Mex Border', 'Pulling out of Ricardo and the Dusk Is Falling Fast' | 3:31 |
| 2. | 'Atlantic City to Philadelphia' | 'Six Hours to Louisiana, Black Coffee Going Cold' | 2:40 |
| 3. | 'Philadelphia to Baltimore' | 'Dream Time In Lake Jackson' | 2:37 |
| 4. | 'Baltimore to Fair Play' | 'Madrugada Eterna' | 7:45 |
| 5. | 'Fair Play to North Druid Hills' | 'Justified and Ancient Seems a Long Time Ago' | 1:03 |
| 6. | 'North Druid Hills To Atlanta' | '3 a.m. Somewhere out of Beaumont' | 3:36 |
| 7. | 'Atlanta to Mobile' | 'Wichita Lineman Was a Song I Once Heard' 'Trancentral Lost in My Mind' | 7:15 |
| 8. | 'Mobile to Houston' | 'What Time Is Love? (Virtual Reality Mix)' | 2:10 |
| 9. | 'Houston to Laredo' | 'What Time Is Love? (Virtual Reality Mix)' | 2:16 |
| 10. | 'Laredo to El Prado' | 'What Time Is Love? (Virtual Reality Mix)' | 1:29 |
| 11. | 'El Prado to San Rafael' | 'What Time Is Love? (Virtual Reality Mix)' | 1:37 |
| 12. | 'San Rafael to Mexico City' | 'The Lights of Baton Rouge Pass By' 'Alone Again with the Dawn Coming Up' | 2:49 |
| Total length: | 38:48 |
References[edit]
- ^Beaumont-Thomas, Ben (1 January 2021). 'The KLF reissue music for first time since 1992'. The Guardian. Retrieved 2 January 2021.
- ^Savage, Mark (1 January 2021). 'The KLF's songs are finally available to stream'. BBC News Online. Retrieved 1 January 2021.
- ^Reilly, Nick. ''The KLF release new reworked album 'Come Down Dawn''. Retrieved 4 February 2021.
- ^'The KLF release new reworked album 'Come Down Dawn''. NME | Music, Film, TV, Gaming & Pop Culture News. 2021-02-04. Retrieved 2021-02-04.
- ^ abcMonroe, Jazz. 'The KLF's Chill Out Finally Comes to Streaming—Sort Of'. Pitchfork. Retrieved 2021-02-04.
- ^'THE KLF compilation album 'Solid State Logik 1' suddenly appears on streaming services'. XS Noize | Online Music Magazine. Retrieved 2021-01-03.
With its beautiful linear park and parkways designed at the turn of the 20th century by Frederick Law Olmsted, the Druid Hills Historic District richly deserves its designation on the National Register of Historic Places. Today, it resides remarkably near the center of Atlanta's sprawling metropolitan area.
Some find it hard to believe that this magnificent urban neighborhood was conceived and executed as one of Atlanta's first suburbs. Yet it continues to evoke the past with its winding roads, eclectic architecture, and green canopy. The U.S. Department of the Interior once declared Druid Hills to be 'significant as the finest example of late 19th and early 20th century comprehensive planning and development in the Atlanta area, and one of the finest period suburbs in the Southeast.'
The U.S. Department of the Interior once declared Druid Hills to be 'significant as the finest example of late 19th and early 20th century comprehensive planning and development in the Atlanta area, and one of the finest period suburbs in the Southeast.'
In the early 1890s, Atlanta entrepreneur Joel Hurt, who had imaginatively developed transportation, utilities, and real estate in the city, assembled a large tract of land for residential use. He hired Frederick Law Olmsted, America's premier landscape architect, to plan his 'ideal residential suburb.' To view correspondence regarding the creation of Druid Hills between the Olmsted Firm and the Kirkwood Land Company, click here.
By the time Olmsted began to design Druid Hills in 1893, he had already completed many prominent projects including Central Park in New York City, the grounds of the United States Capitol, the Biltmore Estate in North Carolina, Prospect Park in Brooklyn, and the Stanford University campus. He also designed numerous park and parkway systems Boston, Chicago, and other cities.
Early in his career Olmsted planned (with his colleague Calvin Vaux) the community of Riverside, Illinois, as the prototype of a planned suburb. Druid Hills, designed near the end of his career, demonstrates the evolution of his ideas about the relation of suburbs to the city. In fact, Olmsted expressed his philosophy of suburban living in an 1890 letter to Joel Hurt; he envisioned the homeowner returning hot and tired from the city to homes 'well shaded by handsome, umbrageous, permanently thrifty trees' in a neighborhood with a 'pleasing rural, or, at least, semi-rural, character of scenery . . . to be permanently enjoyed.'
He envisioned the homeowner returning hot and tired from the city to homes 'well shaded by handsome, umbrageous, permanently thrifty trees' in a neighborhood with a 'pleasing rural, or, at least, semi-rural, character of scenery . . . to be permanently enjoyed.'
Olmsted's vision of suburban living was eventually realized in Druid Hills. However, after several visits to Atlanta to meet with Hurt, financial setbacks halted the project for several years. Before work resumed the aging Olmsted retired and Hurt hired the successor firm of Olmsted Brothers to develop the design proposed by the elder landscape architect.
Significance
Landscape and urban scholars have established that Druid Hills represents a major innovation in suburban design. Its central corridor, Ponce de Leon Avenue, with separated vehicular and pleasure drives, functions as the central promenade of the community. It is a linear version of the traditional village green. Each of Ponce de Leon's median parks is distinct in its landscaping. The parks range from relatively open greenswards to nearly impenetrable woods.
In an early proposal for Druid Hills, Olmsted wrote of'roads of moderate grace and curves, avoiding any great disturbance of the natural topography.' The neighborhood's streets follow the natural terrain and its open spaces remind us of the picturesque vistas integral to late 19th-century landscape planning.
In an early proposal for Druid Hills, Olmsted wrote of'roads of moderate grace and curves, avoiding any great disturbance of the natural topography.'
Modern development in Druid Hills preserved the environment of parks, streetscapes, and landscapes in the spirit of Olmsted's original concept. Scholars believe the area fulfills the three major components of his vision of 20th century suburban living:
– a park or public space as the central focus of the suburbs
– a parkway conceived as both a connector and pleasure drive
– residences on large acreages that face the parks and winding streets.
Many well-known Atlanta architects including Neel Reid, Philip Trammel Shutze, Ernest Ivey, and Lewis Crook, Jr., are represented in Druid Hills.
Influence
E Dating Service In Druid Hills 2019
Through the years, Olmsted's design for Druid Hills strongly influenced suburban planning throughout Atlanta. Architects who gained experience from working in our neighborhood later shaped Ansley Park, Morningside, Garden Hills, and Avondale Estates. Design elements were emulated in Brookwood Hills, and the West Paces Ferry area. More recently, office parks that emphasize green space and natural terrain have harked back to Olmsted. In fact, some scholars maintain that had it not been for Frederick Law Olmsted's Druid Hills, Atlanta would not be the park-like city it is today.
Integrity
The vigilance of the Druid Hills Civic Association has enabled Olmsted's last major suburb to retain its original lot configurations and open spaces. The Druid Hills National Register Historic District, about 1,400 acres, was designated in two stages in 1975 and 1979. 'In a national context, Druid Hills is a rare example of Olmsted's design intentions intact in its principal features,' the U.S. Department of the Interior has attested.
'In a national context, Druid Hills is a rare example of Olmsted's design intentions intact in its principal features,' the U.S. Department of the Interior has attested.
Frederick Law Olmsted's vision of suburban living endures today in the rolling landscapes and winding roads of Druid Hills.
E Dating Service In Druid Hills Nc
To learn more about Frederick Law Olmsted and the Olmsted Brothers, please visit www.olmsted.org.
